entre el dia i la nit no hi ha paret(2)

The sisters Mónica and Gema del Rey, visual artists, and the anthropologist María Dolores Martín-Consuegra, have directed the documentary ‘Sacar a la luz. La memoria de las rapadas’, presented in Sagunto last weekend.

In 2019 some unpublished audios reach the hands of the Andalusian production company EntreFronteras. In them, cases of malpractice in the rescue of people in the Southern Border are heard. The investigations of these audios give way to the documentary ‘Paralelo 35°50”.

Silvia Aquiles was torn away from her children after denouncing sexual abuse of the minors by their father. Today, she is pending three cases in a judicial war in which she claims that everything has turned against her.

Extremist violence is shaking the government of Burkina Faso and a spiral of attacks is unleashed in Uganda. Meanwhile, the Sudanese people continue to defend their democratic gains.

SUMMA 112 workers, together with unions and neighborhood platforms, request the reopening of the 37 Emergency Primary Care Services (SUAP) of the Community of Madrid that have been closed for almost 20 months, with a rally that has claimed that “their struggle is health”.

entre el dia i la nit no hi ha paret(4)

The Valencian collective Les Espigolaores always begins their presentations by explaining where their name comes from: “Espigolar, in Valencian, means to glean all that is left on the land from the main harvest”. With that metaphor, they decided to ‘glean’ the stories of rural women that “hegemonic, male and androcentric history has left uncollected, untold, unvisibilized.”

“We focus on women to question the traditional image of the orchard worked by male farmers where it seems that women have not been part, neither of its structure, nor of the construction of the territory,” explains Alba Herrero Garcés. explains Alba Herrero Garcés from Les Espigolaores.

Thus, they met Carmen, Dolores, María, Milagros, Carmen, Pepita, Pilar and Vicenta, and shared with them afternoons and afternoons of conversations in which they were asked “how was life in the orchard”: “We were interested both in claiming all the daily work that women do and that make life possible, as those tasks performed by men and women, but that, in the case of women, has not had the same prominence, such as tilling the land”.

joan manuel serrat – pare

El proceso de industrialización, como parte esencial del capitalismo de producción desarrollado a mediados del siglo XX, ha provocado un desplazamiento masivo de la población rural hacia las ciudades que ha vaciado las zonas rurales y las ha sobreexplotado productivamente a gran escala. Sólo el 17% de la población española vive en el campo, en asentamientos donde las formas de vida tradicionales están desapareciendo lentamente. Ser mujer en el mundo rural significa, por tanto, ser doblemente invisible. Pero cada día son más las mujeres que deciden instalarse en el campo y cambiar su vida haciéndose cargo de pequeñas empresas agrícolas y ganaderas más respetuosas con el entorno natural. Hasta el punto de que el mundo rural puede ser el ámbito en el que se hacen más evidentes los beneficios de aplicar un enfoque femenino -si no feminista- a la vida laboral.

Documental sobre mujeres que viven o han vivido en el barrio de Campanar o en la Partida de Dalt o en la desaparecida Partida del Pouet, zonas de producción de hortalizas en la periferia de Valencia, donde el mundo urbano y el rural se mezclan y se cuestionan. Estas mujeres, protagonistas de la película, explican, a través de sus historias personales, cuál era su trabajo y las tareas que implicaba, así como su sabiduría y experiencia vital, cuestionando así la imagen masculinizada del mundo rural comúnmente interiorizada.

actuació escola marcel.li domingo de sant pere i

Canet d’en Berenguer will mobilize again to show its repudiation of male violence. And it will do so through the various events organized by the City Council, in collaboration with “Dones Canet”, under the slogan “Som Llavor i Rebrotem”. A program that has started with a graffiti workshop for women in the Coexistence Center of the town; activity that will resume on November 17 with the aim of concluding these works of urban art with which they show their vision of this social scourge suffered by millions of women.

For Tuesday 23rd, the screening of the documentary “Entre el dia i la nit no hi ha paret”, the first audiovisual work of the collective “Les Espigolaores” has been programmed. A vision of women who live or have lived in the orchard of Campanar, the Dalt district or in the disappeared district of Pouet. A first-person account with which they share their experiences, their work and their life experiences, and that questions the masculinized image of the sector, and provides a critical look at the urban development that the area has undergone.